La Trobe University - Library: Medieval Music Database - Annual cycle of feasts of liturgical chant, liturgical polyphony and secular music of the late middle ages.

Lamento di Tristano

anonymous istampitta

Sources

London: British Library, Additional 29987, fol. 63 (1/0).

Facsimiles

1. The Manuscript London, British Museum Add. 29987, facsimile edition by Gilbert Reaney, [n.p.]: American Institute of Musicology, 1965. Musicological Studies and Documents 13.
2. STÄBLEIN, Bruno. Schriftbild der einstimmigen Musik, Leipzig: Deutscher Verlag für Musik, 1975. Musikgeschichte in Bildern III/4, 177.
3. WILKINS, Nigel. Music in the Age of Chaucer, Cambridge: D. S. Brewer, 1979. Chaucer Studies I, p. 72.

Editions

1. WOLF, Johannes. 'Die Tänze des Mittelalters. Eine Untersuchung des Wesens der ältesten Instrumentalmusik', Archiv für Musikwissenschaft, I (1918-1919), p. 41.
2. MOSER, Hans J. 'Stantipes und Ductia', Zeitschrift für Musikwissenschaft,II (1919-1920): 194-206.
3. Geschichte der Musik in Beispielen, edited by Arnold Schering, Leipzig: Breitkopf & Härtel, 1931, no. 28.
4. Das Characterstück, edited by Willi Kahl, Cologne: Arno Volk Verlag, 1955. Das Musikwerk VIII. [English edition as The Character Piece, Anthology of Music VIII, 1961], p. 19.
5. Historical Anthology of Music. Vol. I. Oriental, Medieval and Renaissance Music, edited by Archibald T. Davison and Willi Apel, Cambridge/Massachusetts: Harvard University Press, 1966, no. 59b.
6. De dansen van het Trecento. Critische uitgave van de instrumentale dansen uit hs. London BM add. 29987, edited by Jan ten Bokum, Utrecht: Institut voor Muziekwetenschap, 1967. Scripta Musicologica Ultrajectina I.
7. Monophonic Dances of the 14th Century, edited by Ralph Harriman, San Lorenzo, Calif.: Musica Sacra et Profana, 1976.
8. Musikgeschichte in Beispielen von der Antike bis Johann Sebastian Bach, edited by Otto Hamburg, Wilhelmshaven: Heinrichshofen, 1976, p. 46.
9. Mittelalterliche Spielmannstänze aus Italien, edited by Sebastian Kelber and Josef Ulsamer. Das Blockflöten Repertoire, vol. 1, Celle: Moeck Verlag, 1978.
10. CRANE, Frederick. 'On performing the "Lo estampies"', Early Music, VII (1979): 24-33.

Literature

1. MOSER, Hans J. 'Stantipes und Ductia', Zeitschrift für Musikwissenschaft,II (1919-1920), pp. 203-205.
2. HAAS, Robert. Aufführungspraxis der Musik, Potsdam: Akademische Verlagsgesellschaft Athenaion, 1931, p. 75.
3. SACHS, Curt. World History of the Dance, New York: 1937, pp. 294-295.
4. REESE, Gustave. Music in the Middle Ages, New York: W. W. Norton, London: J.M. Dent & Sons, 1940, pp. 160-161.
5. FISCHER, Kurt von. 'Musica e società nel Trecento italiano', L'Ars nova italiana del Trecento III: Certaldo 1969, 1970, p. 19.
6. CRANE, Frederick. 'On performing the "Lo estampies"', Early Music, VII (1979): 24-33.
7. WILKINS, Nigel. Music in the Age of Chaucer, Cambridge: D. S. Brewer, 1979. Chaucer Studies I, p. 72.

Recordings

1. Music of the Middle Ages and Renaissance. Vol. I. 13th - 15th Centuries, Syntagma Musicum Ensemble, directed by Kees Otten: 2-HMV HQS 1195/6.
2. Medieval and Renaissance Music for the Irish and Medieval Harps, Viele, Recorders and Tambourin, Elena Polonska, Guy Durand, Roger Cotte: Turnabout TVS 34019/TV 4019 (GB/USA).
3. Medieval and Renaissance Lute and Vihuela, Roger Valentin, Roger Valentin (oud, lute, vihuela): ALHPA DB 198 (BEL.
4. Italian Secular Music of the Trecento, Hortus Musicus, directed by Andres Moustonen: Chant du Monde LDX 78.665 (FRA).
5. Music of the Time of Boccaccio's Decameron, Musica Reservata, directed by John Beckett: Philips 802904.
6. Music of the Middle Ages and the Renaissance, Musiciens de Provence: Arion ARN 38.370 (FRA).
7. Tanzmusik der Renaissance (Dance Music of the Renaissance), Ulsamer Collegium, Konrad Ragossnig (lute & guitar), directed by Josef Ulsamer: DG Archiv 2533 111 (INT).
8. Golden Dance Hits of 1600, Konrad Ragossnig (lute), Siegfried Behrend (guitar), Siegfri, directed by Josef Ulsamer: Deutsche Gramophon-2563 522 (INT)/ 2538 348 (INT).
9. Music for Robin Hood and his King, St. Georges Canzona, directed by John Sothcott: Enigma K53532 (GB).
10. [Krainis Recorder Consort], Krainis Recorder Consort, directed by Bernard Krainis: Decca Ace of Clubs ACL R271.
11. Musik aus dem Trecento, Silvia and Walter Frei: Fono. Ges. Luzern S 30-4703.
12. Tanzmusik der Gotik und Renaissance, Les Menèstrels, Wiener Ensemble für alte Musik, directed by Klaus Walter, E. Kölz: Amadeo AVRS 5052.
13. Antologia Sonora della Musica Italiana. Vol 3: Musiche Profane nel Basso Medio Evo, Lucca (S), Nobile (T), soloists: Carisch MCA 28017.
14. Music of the Middle Ages, Collegium Musicum Krefeld, directed by Robert Haas: Boìte a Musique LD 08.
15. The Festive Pipes (Five Centuries of Dance Music for Recorders), Krainis Recorder Consort: Kapp KCL 9034.
16. The Lady and the Unicorn, John Renbourn: Reprise RS 6407.
17. Music at the Time of the Crusades, Florilegium Musicum of Paris: Vanguard Everyman Classics SRV 317SD.
18. History of European Music, vol. 5, : Musical Heritage Society OR 438.
19. Dances of the Middle Ages (13th and 14th centuries), G. Crunelle (piccolo), Debondue (musette), Clayette (tabor) (1937): Anthologie Sonore AS 16, Haydn Society AS 2.
20. Music of the Minstrels. Dix-sept Danses du 13e et 14e Siècle, Brussels Pro Musica Antiqua, directed by Safford Cape (1953): Archiv APM 14018 (Br).
21. Medieval Music. The Jolly Minstrels: Minstrel Tunes, Songs, and Dances of the Middle Ages, Gerald English (T), Jaye Consort (1967): Pye/Golden Guinea GGC 4092.
22. Historical Anthology of Music in Performance. Vol. 1: Late Medieval Music (1300 - 1400), University of Chicago Collegium Musicum, South Illinois Univ, directed by Howard Mayer Brown, Wesley Morgan (1968?): Pleiades P 250.
23. The Seraphim Guide to Renaissance Music, Syntagma Musicum of Amsterdam, directed by Kees Otten (1969): Seraphim SIC-6052 (set 3) (USA).
24. Ecco la Primavera. Florentine Music of the 14th Century, Early Music Consort, directed by David Munrow (1969): Argo ZRG 642 (GB).
25. Douce Dame: Music of Courtly Love from Medieval France and Italy, The Waverly Consort, directed by Michael Jaffee (1973): Vanguard VSD 71179.
26. Estampie. Instrumentalmusik des Mittelalters, Early Music Studio, Schola Cantorum Basiliensis, directed by Thomas Binkley (1974): EMI-Reflexe 1C 063-30-122 (GER)/ 1C 163-30-119/24 (GER).
27. Musica in Bohemia in Tempore Caroli IV, Soloists, Symposium Musicum, Prague Madrigal Singers, directed by Miroslav Venhoda (1977): Supraphon 11112 2451/2.
28. The Captive Unicorn. Mediaeval French, Spanish, English, Italian and Latin Songs from the 11th-14thC, The Renaissance Players, directed by Winsome Evans (1978): Cherry Pie CPF 1036 2.
29. Pastime with Good Company, Ars Nova, directed by Bevan Leviston (1980): Bonn Recording Enterprises BRE-033 (AUS).
30. Guenivere, Yseut, Melusine: the heritage of Celtic womanhood in the middle ages, Ella de' Mircovich (medieval harp), Elisabetta de Mircovich (rebec), Claudia Caffagni (lute), Livia Caffagni (recorder), La Reverdie (1991): Giulia GS 201007.