La Trobe University - Library: Medieval Music Database - Annual cycle of feasts of liturgical chant, liturgical polyphony and secular music of the late middle ages.

Ma dame m'a congié douné

anonymous ballade

Sources

Chantilly: Bibliothèque du Musèe Condè 564, fol. 14v (3/1);
Paris: Bibliothèque Nationale, fonds nouv. acq. français 23190 (olim Serrant Château, ducs de la Trèmoìlle), fol. 36v-37 (lost).

Editions

1. GÜNTHER, Ursula. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestelt an Virelais, Balladen und Rondeax von Machaut., Ph.D. dissertation, University of Hamburg: 1957, no. 5.
2. GÜNTHER, Ursula. Zehn datierbare Kompositionen der Ars Nova, Hamburg: 1959. Schriftenreihe des Musikwissenschaftlichen Instituts der Universität Hamburg, Heft II, no. 4 [R PhD ed.].
3. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1971. Corpus Mensurabilis Musicae 53/II, p. 75.
4. French Secular Music. Manuscript Chantilly, Musèe Condè 564, First Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1981. Polyphonic Music of the Fourteenth Century XVIII, p. 14.

Literature

1. GÜNTHER, Ursula. 'Zitate in französischen Liedsätzen der Ars nova und Ars subtilior', Musica Disciplina, XXVI (1972), pp. 55, 61.
2. HIRSHBERG, Jehoash. 'Hexachordal and modal structure in Machaut's polyphonic chansons', Studies in Musicology in Honor of Otto E. Albrecht, 1980.
3. ZIINO, Agostino. 'Guillaume de Machaut, fondateur d'ècole?', Guillaume de Machaut, poète et compositeur. Colloque - Table Ronde, 1978, p. 331.

Recordings

The Late 14th Century Avant Garde, Early Music Consort of London, directed by David Munrow (1973): EMI/HMV ASD 3621 (GB).