La Trobe University - Library: Medieval Music Database - Annual cycle of feasts of liturgical chant, liturgical polyphony and secular music of the late middle ages.

Mater ora filium ut post hoc exilium

anonymous cantilena

Sources

Oxford: Bodleian Library, Barlow 55, fol. 4 (3/3); Bodleian Library, Rawlinson liturgical d. 3, fol. 71 (3/3).

Facsimiles

1. Manuscripts of 14th Century English Polyphony: A Selection of Facsimiles, edited by Frank Ll. Harrison and Roger Wibberley, London: Stainer & Bell, 1982. Early English Church Music XXVI, plates 40 (Ob55), 74 (ORL).
2. English Fourteenth-Century Polyphony: Facsimile Edition of Sources Notated in Score, edited by William J. Summers, Tutzing: H. Schneider, 1983. Münchner Editionen zur Musikgeschichte IV, plates 153 (Ob55), 171 (ORL).

Editions

English Music for Mass and Offices (II) and Music for Other Ceremonies, edited by Ernest H. Sanders, Frank Ll. Harrison and Peter M. Lefferts, Monaco: Editions de L'Oiseau-Lyre, 1986. Polyphonic Music of the Fourteenth Century XVII, p. 8 (a:Ob3, b:Ob55).

Literature

1. LEFFERTS, Peter M. The Motet in England in the Fourteenth Century, Ann Arbor: UMI Research Press, 1986, pp. 136, 137.
2. LEFFERTS, Peter M. Review: 'Facsimiles of fourteenth-century English polyphony', RMA Research Chronicle, 21 (1988), p. 89.

Recordings

Sumer Is Icumen In. Chants Mèdièvaux Anglais, Hilliard Ensemble, directed by Paul Hillier (1985): Harmonia Mundi HM 1154.