La Trobe University - Library: Medieval Music Database - Annual cycle of feasts of liturgical chant, liturgical polyphony and secular music of the late middle ages.

Musicalis sciencia; Sciencie laudabili

Three-voice anonymous motet

Sources

Paris: Bibliothèque Nationale, Coll. de Picardie 67, fol. 67v (3/2).

Editions

Motets of French Provenance, edited by Frank Ll. Harrison, Monaco: Editions de L'Oiseau-Lyre, 1968. Polyphonic Music of the Fourteenth Century V, p. 181.

Literature

1. HOPPIN, Richard H. 'Some remarks a propos of Pic. (B.N. coll. de Picardie vol. 67, folio 67)', Revue belge de musicologie, X (1956), pp. 107-111.
2. HOPPIN, Richard H. and Suzanne CLERCX. 'Notes biographiques sur quelques musiciens français du XIVe siècle', Les Colloques de Wègimont II, 1955, Paris: Sociètè d'Edition "Les belles lettres", 1959, pp. 64-67.
3. GALLO, F. Alberto. Il Medioevo, vol. II, Turin: Edizioni di Torino, 1977. [English translation as Music of the Middle Ages, vol. II, Cambridge: Cambridge University Press, 1985], pp. 77-78.
4. GÜNTHER, Ursula. 'Sinnbezüge zwischen Text und Musik in Ars nova und Ars subtilior', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, p. 267.
5. NEWES, Virginia E. 'The relationship of text to imitative technique in 14th century polyphony', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 121-154.
6. GOMEZ, Maria del Carmen. 'Une version a cinq voix du motet "Apollinis eclipsatur/Zodiacum signis" dans le manuscript E-BCEN 853', Musica Disciplina, XXXIX (1985): 5-44.