Patrie pacis lucide gubernatrix; Patria gaudencium cum regina
anonymous troped chant
Sources
Cambridge: Gonville and Caius College 512/543, fol. 259v (3/2).
Facsimiles
1. APFEL, Ernst. Studien zur Satztechnik der mittelalterlichen englischen Musik, 2 vols., Heidelberg: Carl Winter, 1959. Abhandlungen der Heidelberger Akademie der Wissenschaft, Philosophisch-Historische Klasse 5, p. 76.
2.
Manuscripts of 14th Century English Polyphony: A Selection of Facsimiles, edited by Frank Ll. Harrison and Roger Wibberley, London: Stainer & Bell, 1982. Early English Church Music XXVI, plate 138.
Editions
1. WIBBERLEY, Roger. English Polyphonic Music of the Late 13th and Early 14th Centuries: A Reconstruction, Transcription and Commentary, D.Phil. dissertation, University of Oxford (Keble), p. 328.
2. Motets of English Provenance, edited
by Frank Ll. Harrison, Monaco: Editions de L'Oiseau-Lyre, 1980. Polyphonic Music of the Fourteenth Century XV, p. 120.
Literature
1. BENT, Margaret. 'Text setting in sacred music of the early 15th century: evidence and implications', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, Kassel: Bärenreiter, 1984, p. 312.
2. LEFFERTS, Peter M. The
Motet in England in the Fourteenth Century, Ann Arbor: UMI Research Press, 1986, p. 243.