La Trobe University - Library: Medieval Music Database - Annual cycle of feasts of liturgical chant, liturgical polyphony and secular music of the late middle ages.

Patrem ab eterno; Patrem omnipotentem; Talis est

Four-voice anonymous motet

Sources

Cambrai: Bibliothèque Municipale B. 1328 (1176), ff.1-7, fol. 1 (#1 and 2) (Secundus and Tenor incomplete).

Facsimiles

Die Handschrift London, British Museum, Add. 27630 (LoD). I: Faksimile, edited by Wolfgang Dömling, Kassel: Bärenreiter, 1972. Das Erbe deutscher Musik 52/53, (LoD108-108v).

Editions

1. Fourteenth-Century Mass Music in France, edited by Hanna Stäblein-Harder, [Rome]: American Institute of Musicology, 1962. Corpus Mensurabilis Musicae 29, p. 66.
2. HASSELMAN, Margaret P. The French Chanson of the Mid-Fourteenth Century, 2 vols., Ph.D. dissertation, University of California (Berkeley), Vol. II, p. 169.

Literature

1. FISCHER, Kurt von. 'Elementi arsnovistici nella musica boema antica', L'Ars nova italiana del Trecento: Certaldo 1961-1967, 1968, p. 82.
2. HASSELMAN, Margaret P. The French Chanson of the Mid-Fourteenth Century, 2 vols., Ph.D. dissertation, University of California (Berkeley), p. 20.
3. LERCH, Irmgard. 'Messkompositionen mit kanonischen Stimmen - eine internationale Erscheinung?', Musica Disciplina, XLI (1987): 59-73.