Benedicamus Domino
Two-voice anonymous intabulation
Sources
Burgos: Monasterio de Las Huelgas, fol. 115v (3/2);
Faenza: Biblioteca Comunale 117 (Faenza Codex), fol. 97-97v.
Facsimiles
1. CARAPETYAN, Armen. 'The Codex Faenza, Biblioteca Comunale 117 (Fa), pp. 103-104 (Fa97-97v).
2. An Early Fifteenth-Century Italian Source of Keyboard Music: The Codex Faenza, Biblioteca Comunale, 117, facsimile edition by Armen
Carapetyan, [n.p.]: American Institute of Musicology, 1961. Musicological Studies and Documents 10, pp. 111-112 (Fa97-97v).
Editions
1. Transcriptions from the Faenza Codex, edited by R. Huestis, Westwood, 1971, p. 145.
2. Keyboard Music of the Late Middle Ages in the Codex Faenza 117, edited by D. Plamenac, [n.p.]: American Institute of Musicology, 1972. Corpus
Mensurabilis Musicae 57, p. 132.
3. KUGLER, Michael. Die Tastenmusik im Codex Faenza, Tutzing: Hans Schneider, 1972. Münchner Veröffentlichungen zur Musikgeschichte 21, p. 167.
4. Italian Sacred Music, edited by
Kurt von Fischer and F. A. Gallo, Monaco: Editions de L'Oiseau-Lyre, 1976. Polyphonic Music of the Fourteenth Century XII, p. 185.
Literature
LINDLEY, Mark. 'Pythagorean intonation and the rise of the triad', RMA Research Chronicle, 16 (1980), p. 38, example 18.