Credo

anonymous

Sources

Cambridge: Gonville and Caius College 230/116, fol. 2-2v;
London: British Library, Additional 57950 (olim Old Hall, Library of St. Edmund's College), fol. 47-48 (3/3).

Facsimiles

1. BENT, Margaret. 'Cambridge, Gonville and Caius College, MS 230/116' [in] 'New sources of English thirteenth- and fourteenth-century polyphony', compiled by P. Lefferts and M. Bent, Early Music History, 2 (1982), figs. 5 & 6 (Cgc230).
2. English Fourteenth-Century Polyphony: Facsimile Edition of Sources Notated in Score, edited by William J. Summers, Tutzing: H. Schneider, 1983. Münchner Editionen zur Musikgeschichte IV, plates 114-115.

Editions

1. The Old Hall Manuscript, edited by Alexander Ramsbotham, completed by H.B. Collins and Dom Anselm Hughes, 3 vols., Nashdom Abbey, Burnham, Buckinghamshire: Plainsong and Medieval Music Society, 1933-1938, Vol. II, p. 30.
2. The Old Hall Manuscript, edited by Andrew Hughes and Margaret Bent, 3 vols., American Institute of Musicology, 1973. Corpus Mensurabilis Musicae 46, Vol. I, p. 171.

Literature

1. BENT, Margaret. 'Cambridge, Gonville and Caius College, MS 230/116' [in] 'New sources of English thirteenth- and fourteenth-century polyphony', compiled by P. Lefferts and M. Bent, Early Music History, 2 (1982), p. 306.
2. BENT, Margaret and Peter LEFFERTS. 'New sources of thirteenth- and fourteenth-century English polyphonic music', Early Music History, edited by Iain Fenlon, Cambridge: Cambridge University Press, 2 (1982), p. 306.
3. GÜNTHER, Ursula. 'Sinnbezüge zwischen Text und Musik in Ars nova und Ars subtilior', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 229-268.