La Trobe University - Library: Medieval Music Database - Annual cycle of feasts of liturgical chant, liturgical polyphony and secular music of the late middle ages.

Je port amiablement

untexted work by Donato da Firenze

Sources

London: British Library, Additional 29987, fol. 70 (2/0);
Praha: St tn¡ Knihovna CSSR - Universitn¡ Knihovna XI E 9, fol. 247 (2/0);
Rome: Biblioteca Apostolica Vaticana, Urb. latino 1419, fol. 87 (Cantus only).

Facsimiles

The Manuscript London, British Museum Add. 29987, facsimile edition by Gilbert Reaney, [n.p.]: American Institute of Musicology, 1965. Musicological Studies and Documents 13, (Lo).

Editions

1. Die Musikstücke des Prager Codex XI E 9, edited by Friedrich Kammerer, Augsburg: 1931, p. 115.
2. The Music of Fourteenth Century Italy, edited by Nino Pirrotta, [n.p.]: American Institute of Musicology, 1962. Corpus Mensurabilis Musicae 8/III, p. 42.
3. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1970. Corpus Mensurabilis Musicae 53/I, p. 40 (Lbl29987).
4. Italian Secular Music by Vincenzo da Rimini, Rosso de Chollegrana, Donato da Firenze, Gherardello da Firenze, Lorenzo da Firenze, edited by W. Thomas Marrocco, Monaco: Editions de L'Oiseau-Lyre, 1971. Polyphonic Music of the Fourteenth Century VII, p. 51 (PuXIE9)., p. 52 (Lbl29987)., p.
5. GOZZI, Marco. [London, British Library 29987: Transcription and Commentary], 2 vols., dissertation, Cremona, Scuola di paleografica musicale, University of Pavia: 1984-1985.
6. GARFORTH, Constance C. The Lo Manuscript: A Trecento Collection, Ph.D. dissertation, Northwestern University: 1983.

Literature

BAUMANN, Dorothea. 'Some extraordinary forms in the Italian secular Trecento repertoire', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, pp. 45-63.

Recordings

Musica in Bohemia in Tempore Caroli IV, Soloists, Symposium Musicum, Prague Madrigal Singers, directed by Miroslav Venhoda (1977): Supraphon 11112 2451/2.