La Trobe University - Library: Medieval Music Database - Annual cycle of feasts of liturgical chant, liturgical polyphony and secular music of the late middle ages.

Dame sans per, en qui est ma speranche

attributed to Andrea da Firenze

Sources

Modena: Biblioteca Estense e Universitaria a.M.5.24 (Latino 568; olim IV.D.5), fol. 29v-30 (2/1);
Paris: Bibliothèque Nationale, fonds nouv. acq. français 23190 (olim Serrant Château, ducs de la Trèmoìlle), fol. 17v-18 (lost).

Editions

1. The Music of Fourteenth Century Italy, edited by Nino Pirrotta, [n.p.]: American Institute of Musicology, 1964. Corpus Mensurabilis Musicae 8/V, p. 45.
2. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1971. Corpus Mensurabilis Musicae 53/II, p. 23.
3. French Secular Music. Ballades and Canons, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1982. Polyphonic Music of the Fourteenth Century XX, p. 1.

Literature

1. BAUMANN, Dorothea. 'Some extraordinary forms in the Italian secular Trecento repertoire', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, pp. 45-63.
2. ZIINO, Agostino. 'Guillaume de Machaut, fondateur d'ècole?', Guillaume de Machaut, poète et compositeur. Colloque - Table Ronde, 1978, p. 331.
3. WILLIAMS, Carol. 'Setting the scene for a study of Andrea da Firenze', Miscellanea Musicologica: Adelaide Studies in Musicology, 15 (1988), p. 79.