La Trobe University - Library: Medieval Music Database - Annual cycle of feasts of liturgical chant, liturgical polyphony and secular music of the late middle ages.

Un fiore gentil m'apparse

ballata by Antonius 'Zacharias' de Teramo

Sources

Bologna: Civico Museo Bibliografico Musicale, Ms Q 15, fol. 71v-73 (3/3) (Gloria Contrafactum);
Lucca: Archivio di Stato 184 (Mancini Codex), fol. 58 (3/3).

Facsimiles

The Lucca Codex. Codice Mancini. Introductory Study and Facsimile Edition, edited by John N das and Agostino Ziino, Lucca: Libreria musicale italiana editrice, 1990.

Editions

1. GHISI, Federico. 'Italian Ars nova music, the Perugia and Pistoia fragments of the Lucca Codex, and other unpublished early fifteenth century sources', Musica Disciplina, I/3 (1946), p. 13 (incomplete).
2. NITSCHKE, W. Studien zu den Cantus-Firmus Messen Guillaume Dufays, 2 vols., Berlin: 1968, Vol. II, p. 12.
3. Keyboard Music of the Late Middle Ages in the Codex Faenza 117, edited by D. Plamenac, [n.p.]: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 57, p. 106 (PEco3065, incomplete).
4. Early Fifteenth Century Music, edited by Gilbert Reaney, [n.p.]: Hänssler-Verlag, American Institute of Musicology, 1977. Corpus Mensurabilis Musicae 11/VI, p. 12 (PEco3065).
5. Italian Secular Music, edited by W. Thomas Marrocco, Monaco: Editions de L'Oiseau-Lyre, 1977. Polyphonic Music of the Fourteenth Century X, p. 143.
6. WILLIAMS, Carol J. The Mancini Codex: A Manuscript Study, Ph.D. dissertation (University of Adelaide), 3 vols., 1983, Vol. II, p. 53.

Literature

1. PIRROTTA, Nino and Ettore LI GOTTI. 'Il Codice di Lucca. III. Il repertorio musicale', Musica Disciplina, V (1951), p. 139.
2. PLAMENAC, Dragan. 'New light on the Codex Faenza 117', Bericht über den internationalen Kongress für Kirchenmusik in Bern, 1952, Bern: Paul Haupt, 1953, pp. 310-326. Publikationen der schweizerischen musikforschenden Gesellschaft ii/3.
3. FISCHER, Kurt von. 'Kontrafakturen und Parodien italienischen Werke des Trecento und frühen Quattrocento', Annales musicologiques: moyen-âge et Renaissance, V (1957), p. 58.
4. REANEY, Gilbert. 'Sequence, hocket, syncopation and imitation in Zacar's mass movements', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, p. 345, 352.
5. ZIINO, Agostino. 'Magister Antonius dictus Zacharias de Teramo: alcune date e molte ipotesi', Rivista italiana di musicologia, XIV/2 (1979), pp. 339-341.
6. ZIINO, Agostino. 'Ripetizioni di sillabe e parole nella musica profana italiana del Trecento e del primo Quattrocento', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, Kassel: Bärenreiter, 1984, pp. 93-120.

Recordings

Il Solazzo: music for a medieval banquet, Kevin Mason, lute; David Douglass and Mary Springfels, vielles, The Newberry Consort (1990): Harmonia Mundi 907038.