La Trobe University - Library: Medieval Music Database - Annual cycle of feasts of liturgical chant, liturgical polyphony and secular music of the late middle ages.

Tout par compas

rondeau by Baude Cordier

Sources

Chantilly: Bibliothèque du Musèe Condè 564, fol. 12 (3/2).

Facsimiles

1. Les plus anciens monuments de la musique française, edited by Pierre Aubry, Paris: 1905, plate 69.
2. Die Musik in Geschichte und Gegenwart, edited by Friedrich Blume, 16 vols., Kassel and Basel: Bärenreiter, 1949 ff, plate 55.
3. PARRISH, Carl. The Notation of Medieval Music, New York: W. W. Norton, 1957, plate LXII.
4. HOPPIN, Richard H. Medieval Music, New York: W. W. Norton, 1978, p. 485.

Editions

1. RIEMANN, Hugo. Handbuch der Musikgeschichte, 5 vols., Leipzig: Breitkopf & Härtel, 1904-1913, Vol. I, p. 351, 352.
2. Les plus anciens monuments de la musique française, edited by Pierre Aubry, Paris: 1905, p. 21.
3. Early Fifteenth Century Music, edited by Gilbert Reaney, [n.p.]: American Institute of Musicology, 1955. Corpus Mensurabilis Musicae 11/I, p. 11.
4. BERGSAGEL, John D. 'Cordier's circular canon', The Musical Times, CXIII (1972), p. 1175.
5. French Secular Music. Manuscript Chantilly, Musèe Condè 564, First Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1981. Polyphonic Music of the Fourteenth Century XVIII, p. 3.
6. GÜNTHER, Ursula. 'Fourteenth-century music with texts revealing performance practice', Studies in the Performance of Late Mediaeval Music, edited by Stanley Boorman, Cambridge: Cambridge University Press, 1983, p. 267.

Literature

1. REANEY, Gilbert. 'John Dunstable and late medieval music in England', The Score, V (1953), p. 23.
2. GÜNTHER, Ursula. 'Der Gebrauch des tempus perfectum diminutum in der Handschrift Chantilly 1047', Archiv für Musikwissenschaft, XVII (1960), pp. 280-283.
3. BERGSAGEL, John D. 'Cordier's circular canon', The Musical Times, CXIII (1972): 1175-1176.
4. MEYLAN, Raymond. 'Rèparation de la Roue de Cordier', Musica Discplina, XXVI (1972), pp. 69-71.
5. HOPPIN, Richard H. Medieval Music, New York: W. W. Norton, 1978, pp. 485-486.
6. WILLIAMS, C. 'Two examples of mannerist notation in the late fourteenth century', Miscellanea Musicologica, XI (1980), pp. 111-116.
7. WILKINS, Nigel. 'Rondeau (i)', The New Grove, XVI (1980): 166-170.
8. COX, Bobby Wayne. 'Pseudo-augmentation in the manuscript Bologna, Civico Museo Bibliografico Musicale, Q15 (BL)', Journal of Musicology, 1 (1982), p. 437.
9. GÜNTHER, Ursula. 'Fourteenth-century music with texts revealing performance practice', Studies in the Performance of Late Mediaeval Music, edited by Stanley Boorman, Cambridge: Cambridge University Press, 1983, pp. 261-263.
10. REANEY, Gilbert. 'A consideration of the relative importance of words and music in composition from the 13th to the 15th century', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, Kassel: Bärenreiter, 1984, p. 190.
11. GÜNTHER, Ursula. 'Sinnbezüge zwischen Text und Musik in Ars nova und Ars subtilior', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 229-268.
12. KOEHLER, Laurie. Review of Gordon K. Greene (ed.), p. 637.
13. NEWES, Virginia. 'Chace, caccia, fuga: the convergence of French and Italian traditions', Musica Disciplina, XLI (1987), pp. 38-40.

Recordings

1. Dictionnaire des Instruments Anciens, Clemencic Consort, Ars Musicae, Atrium Musicae, Ensemble Ric: Harmonia Mundi HMU (3) 445.
2. Ballades, Rondeaux & Virelais from the 14th and 15th Centuries, Ancient Instrument Ensemble of Zurich, directed by Austin Miskell (1967): Odyssey 32 16 0178.
3. Codex Chantilly: airs de cour, Ensemble Organum, directed by Marcel Pèrès (1987): HMC 901252.
4. The Chantilly Codex, Ensemble Organum, directed by Marcel Pèrès (1987): Harmonia Mundi HMC 1252.
5. Ars Magis Subtiliter, Project Ars Nova (1989): New Albion Records NA 021 CD.