Dieux gart qui bien le chantera
rondeau by Guido
Sources
Chantilly: Bibliothèque du Musèe Condè 564, fol. 25 (3/1).
Facsimiles
WOLF, Johannes. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen, 3 vols., Leipzig: Breitkopf & Härtel, 1904. [reprinted Hildesheim: G. Olms, 1965], p. 113.
Editions
1. WOLF, Johannes. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen, 3 vols., Leipzig: Breitkopf & Härtel, 1904. [reprinted Hildesheim: G. Olms, 1965], Vol. III, p. 152.
2. French Secular
Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1970. Corpus Mensurabilis Musicae 53/I, p. 77.
3. French Secular Music. Manuscript
Chantilly, Musèe Condè 564, First Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1981. Polyphonic Music of the Fourteenth Century XVIII, p. 77.
Literature
1. APEL, Willi. The Notation of Polyphonic Music 900-1600, Cambridge/Massachusetts: The Medieval Academy of America, 1942, pp. 426, 428.
2. REANEY, Gilbert. 'The manuscript Chantilly, Musee Conde, 1047', Musica Disciplina, VIII (1954),
p. 70.
3. GÜNTHER, Ursula. 'Sinnbezüge zwischen Text und Musik in Ars nova und Ars subtilior', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984,
pp. 229-268.
Recordings
1. Ce Diabolic Chant: Ballades, Rondeaus & Virelais of the Late 14th Century, The Medieval Ensemble of London, directed by Peter Davies & Timothy Davies (1983): Oiseau-Lyre DSDL 704 (GB).
2. Codex Chantilly: airs de cour, Ensemble
Organum, directed by Marcel Pèrès (1987): HMC 901252.
3. The Chantilly Codex, Ensemble Organum, directed by Marcel Pèrès (1987): Harmonia Mundi HMC 1252.