La Trobe University - Library: Medieval Music Database - Annual cycle of feasts of liturgical chant, liturgical polyphony and secular music of the late middle ages.

Arte psalentes anexa dulcori patrum

Three-voice ballade by Bartholomeus de Bononia

Sources

Modena: Biblioteca Estense e Universitaria a.M.5.24 (Latino 568; olim IV.D.5), fol. 38v-39 (3/1).

Editions

1. GÜNTHER, Ursula. 'Das Manuskript Modena, Biblioteca estense, a M.5,24 (olim lat. 568 = Mod)', Musica Disciplina, XXIV (1970), p. 26.
2. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 53/III, p. 190.
3. Early Fifteenth Century Music, edited by Gilbert Reaney, [n.p.]: American Institute of Musicology, 1975. Corpus Mensurabilis Musicae 11/V, p. 51.
4. French Secular Music. Ballades and Canons, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1982. Polyphonic Music of the Fourteenth Century XX, p. 21.

Literature

1. KORTE, W. Studien zur Geschichte der Musik in Italien im ersten Viertel des 15. Jahrhunderts, Kassel: Bärenreiter, 1933. Münsterische Beiträge zur Musikwissenschaft VI, pp. 63-65.
2. PIRROTTA, Nino. '"Dulcedo e subtilitas" nella pratica polifonica franco-italiana al principio del '400', Revue belge de musicologie, II/3-4 (1948), p. 125, 129.
3. CLERCX, Suzanne. 'Johannes Ciconia et la chronologie des manuscrits italiens, Mod. 568 et Lucca (Mn)', Les Colloques de Wègimont II, 1955, Paris: Sociètè d'Edition "Les belles lettres", 1959, p. 112.
4. GÜNTHER, Ursula. 'Das Manuskript Modena, Biblioteca estense, a M.5,24 (olim lat. 568 = Mod)', Musica Disciplina, XXIV (1970), pp. 25-29., pp. 25-29., pp. 25-29.
5. CAVICCHI, Adriano. 'Sacro e profano: documenti e note su Bartolomeo da Bologna e gli organisti della cattedrale di Ferrara nel primo Quattrocento', Rivista italiana di musicologica, X (1975), pp. 53-54.
6. LOCKWOOD, Lewis. Music in Renaissance Ferrara 1400-1505: The Creation of a Musical Centre in the Italian Renaissance, Oxford: Clarendon Press, 1984, pp. 21-22.

Recordings

1. Music au temps des Papes en Avignon, Florilegium Musicum de Paris, directed by Jean-Claude Malgoire (1973): CBS Masterworks 76534.
2. The Art of Courtly Love. Vol. I. Guillaume Machaut and His Age [Contemporaries], Early Music Consort of London, directed by David Munrow (1973): HMV SLS 863(3) (GB).
3. Dufay and His Times, Syntagma Musicum, directed by Kees Otten (1974): Telefunken ER 6.35 257(2) (GER).
4. Guillaume de Machaut: 1. The Musical Art of Machaut. 2. Le Remède de Fortune. 3. Veoir Dit., Ensemble Guillaume de Machaut of Paris (1975-1977): Adès 7078 (3 discs).
5. [Guillaume de Machaut], Sèminaire Europèen de Musique Ancienne, directed by Bernard Gagnepain (1977): Erato EFM 18041.
6. Hommage à Machaut, Ars Cameralis, Prague (1978): Panton 8111 0056.
7. The Chantilly Codex, Ensemble Organum, directed by Marcel Pèrès (1987): Harmonia Mundi HMC 1252.
8. Codex Chantilly: airs de cour, Ensemble Organum, directed by Marcel Pèrès (1987): HMC 901252.
9. Ars Magis Subtiliter, Project Ars Nova (1989): New Albion Records NA 021 CD.