Ades[to]
Two-voice intabulation by Philippe de Vitry
Sources
London: British Library, Additional 28550 (Robertsbridge Codex), fol. 43v-44 (2/0).
Facsimiles
1. WOOLDRIDGE, H. E. Early English Harmony, London: Plainsong and Mediaeval Music Society, 1897, vol. I, plates 43-44.
2. WILKINS, Nigel. Music in the Age of Chaucer, Cambridge: D. S. Brewer, 1979. Chaucer Studies I, p. 89.
Editions
1. WOLF. Johannes 'Zur Geschichte der Orgelmusik im vierzehnten Jahrhundert', Kirchenmusikalisches Jahrbuch, XIV (1899), p. 19.
2. Keyboard Music of the Fourteenth and Fifteenth Centuries, edited by Willi Apel, [n.p.]: American Institute
of Musicology, 1963. Corpus of Early Keyboard Music 1, p. 3.
Literature
1. WOLF. Johannes 'Zur Geschichte der Orgelmusik im vierzehnten Jahrhundert', Kirchenmusikalisches Jahrbuch, XIV (1899), p. 29.
2. ZWICK, Gabriel. 'Deux motets inèdits de Philippe de Vitry et de Guillaume de Machaut', Revue de
musicologie, XXVII (1948), p. 33.
3. GREENE, Gordon K. 'Incipient Ars nova in the Brussels rotulus', Studies in Music (Canada), I (1976), p. 12.
4. WILKINS, Nigel. Music in the Age of Chaucer, Cambridge: D. S. Brewer, 1979.
Chaucer Studies I, pp. 90-91, 92.
5. LINDLEY, Mark. 'Pythagorean intonation and the rise of the triad', RMA Research Chronicle, 16 (1980), p. 33, examples 6, 11, 13.
6. LEFFERTS, Peter M. The Motet in England in the Fourteenth
Century, Ann Arbor: UMI Research Press, 1986, p. 264.
Recordings
Philippe de Vitry 1291-1361, Benjamin Bagby and Barbara Thornton, Sequentia (1991): RD 77 095.