La Trobe University - Library: Medieval Music Database - Annual cycle of feasts of liturgical chant, liturgical polyphony and secular music of the late middle ages.

Ne celle amour estre ne puet menour

anonymous ballade

Sources

Cambrai: Bibliothèque Municipale B. 1328 (1176), ff.8-15, fol. 12 (#20) (3/2).

Facsimiles

COUSSEMAKER, Edmond de. Histoire de l'harmonie au moyen-âge, Paris: Didron, 1852, n35.

Editions

1. COUSSEMAKER, Edmond de. Histoire de l'harmonie au moyen-âge, Paris: Didron, 1852, no. 42.
2. French Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950, no. 54.
3. HASSELMAN, Margaret P. The French Chanson of the Mid-Fourteenth Century, 2 vols., Ph.D. dissertation, University of California (Berkeley), Vol. II, p. 64.
4. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1971. Corpus Mensurabilis Musicae 53/II, p. 83.
5. French Secular Music. Ballades and Canons, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1982. Polyphonic Music of the Fourteenth Century XX, p. 191.

Literature

1. BESSELER, Heinrich. 'Studien zur Musik des Mittelalters. I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts', Archiv für Musikwissenschaft, VII (1925): 167-252.
2. HASSELMAN, Margaret P. The French Chanson of the Mid-Fourteenth Century, 2 vols., Ph.D. dissertation, University of California (Berkeley), pp. 159, 163.
3. NEWES, Virginia E. 'Imitation in the Ars nova and Ars subtilior', Revue belge de musicologie, XXXI (1977): 38-59.
4. NEWES, Virginia E. 'The relationship of text to imitative technique in 14th century polyphony', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 121-154.