Tré doulz regard amoreus en moi tret

Two-voice anonymous rondeau

Sources

Modena: Biblioteca Estense e Universitaria a.M.5.24 (Latino 568; olim IV.D.5), fol. 31v (2/1).

Editions

1. French Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950, no. 81.
2. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 53/III, p. 144.
3. French Secular Music. Rondeaux and Miscellaneous Pieces, edited by Gordon K. Greene, with literary texts by Terence Scully, Monaco: Editions de Oiseau-Lyre, 1989. Polyphonic Music of the Fourteenth Century XXII, p. 136.

Literature

1. KÖNIGSLÖW, Annamarie von. Die italienischen Madrigalisten des Trecento, Würzburg-Aumühle: Triltsch, 1940, p. 33, ex. 42.
2. FELLIN, Eugene C. A Study of Superius Variants in the Sources of Italian Trecento Music: Madrigals and Cacce, Ph.D. dissertation, University of Wisconsin: 1970, passim.
3. FELLIN, Eugene C. 'The notation-types of Trecento music', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, pp. 211-224.

Recordings

Early Music in Italy, France and Burgundy, Early Music Studio, directed by Thomas Binkley (1965): Telefunken 6.41068 AS (SAWT 9466).