[Q]uare fremuerunt gentes; [Q]uare fremuerunt gentes

anonymous troped chant

Sources

London: British Library, Sloane 1210, fol. 140v-141 (3/2).

Facsimiles

1. APFEL, Ernst. Studien zur Satztechnik der mittelalterlichen englischen Musik, 2 vols., Heidelberg: Carl Winter, 1959. Abhandlungen der Heidelberger Akademie der Wissenschaft, Philosophisch-Historische Klasse 5, p. 76 (Sloane140v-141).
2. Manuscripts of 14th Century English Polyphony: A Selection of Facsimiles, edited by Frank Ll. Harrison and Roger Wibberley, London: Stainer & Bell, 1982. Early English Church Music XXVI, plates 32-33.

Editions

1. SANDERS, Ernest H. Medieval English Polyphony and its Significance for the Continent, Disseration, Columbia University, 1973, p. 234.
2. Motets of English Provenance, edited by Frank Ll. Harrison, Monaco: Editions de L'Oiseau-Lyre, 1980. Polyphonic Music of the Fourteenth Century XV, p. 53.

Literature

1. REANEY, Gilbert. 'John Dunstable and late medieval music in England', The Score, V (1953), p. 26.
2. LEFFERTS, Peter M. The Motet in England in the Fourteenth Century, Ann Arbor: UMI Research Press, 1986, pp. 70-71, 258-259.