La Trobe University - Library: Medieval Music Database - Annual cycle of feasts of liturgical chant, liturgical polyphony and secular music of the late middle ages.

Gloria, gloria laus honor

by Antonius 'Zacharias' de Teramo

Sources

Bologna: Civico Museo Bibliografico Musicale, Ms Q 15, fol. 86v-88 (3/3);
London: British Library, Additional 57950 (olim Old Hall, Library of St. Edmund's College), fol. 28v (Triplum, incomplete Contratenor);
Munich: Bayerische Staatsbibliothek, Clm 14274 (olim M.mus. 3232a), fol. 37v-38v (now lost);
Padua: Biblioteca Universitaria 1225, number 3 (Contratenor, end Tenor);
Siena: Archivio di Stato, frammento 326, fol. 1v (now lost)(incomplete Cantus & Tenor);
Warsaw: National Library, lat. F.I.378 (photographic copy only), fol. 18-19 (3/3).

Facsimiles

Sources of Polyphony up to c.1500: Facsimiles, edited by Miroslaw Perz, Warsaw: PWN-Polish Scientific Publishers, Graz: Akademische Druck- und Verlagsanstalt, 1973. Antiquitates Musicae in Polonia 13, p. 137 (Wn378).

Editions

1. The Old Hall Manuscript, edited by Alexander Ramsbotham, completed by H.B. Collins and Dom Anselm Hughes, 3 vols., Nashdom Abbey, Burnham, Buckinghamshire: Plainsong and Medieval Music Society, 1933-1938, Vol. III, p. xx.
2. The Old Hall Manuscript, edited by Andrew Hughes and Margaret Bent, 3 vols., American Institute of Musicology, 1973. Corpus Mensurabilis Musicae 46, Vol. I, p. 105.
3. Sources of Polyphony up to c.1500: Editions, edited by Miroslaw Perz, Warsaw: PWN-Polish Scientific Publishers, Graz: Akademische Druck- und Verlagsanstalt, 1976. Antiquitates Musicae in Polonia 14, p. 420.
4. Early Fifteenth Century Music, edited by Gilbert Reaney, [n.p.]: Hänssler-Verlag, American Institute of Musicology, 1977. Corpus Mensurabilis Musicae 11/VI, p. 72.
5. Italian Sacred and Ceremonial Music, edited by Kurt von Fischer and F. Alberto Gallo, Monaco: Editions de L'Oiseau-Lyre, 1987. Polyphonic Music of the Fourteenth Century XIII, p. 30.

Literature

1. FISCHER, Kurt von. 'Neue Quellen zur Musik des 13., 14. und 15. Jahrhunderts', Acta Musicologica, XXXVI (1964), pp. 85-86.
2. HUGHES, Andrew and Margaret BENT. 'The Old Hall manuscript - a reappraisal and an inventory', Musica Disciplina, XXI (1967), p. 107.
3. REANEY, Gilbert. 'Sequence, hocket, syncopation and imitation in Zacar's mass movements', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, p. 346.
4. WILKINS, Nigel. Music in the Age of Chaucer, Cambridge: D. S. Brewer, 1979. Chaucer Studies I, p. 86.
5. BENT, Margaret. 'Text setting in sacred music of the early 15th century: evidence and implications', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, Kassel: Bärenreiter, 1984, pp. 304-305.
6. GÜNTHER, Ursula. 'Sinnbezüge zwischen Text und Musik in Ars nova und Ars subtilior', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 229-268.
7. FISCHER, Kurt von. 'Bemerkungen zur Überlieferung und zum Stil der geistlichen Werke des Antonius dictus Zacharias de Teramo', Musica Disciplina, XLI (1987): 161-182.