La Trobe University - Library: Medieval Music Database - Annual cycle of feasts of liturgical chant, liturgical polyphony and secular music of the late middle ages.

Con lagreme bagnandome

Two-voice ballata by Johannes Ciconia

Sources

Berlin: Staatsbibliothek, Mus. 40613 (olim Wernigerode, Fürstlich Stolbergsche Bibliothek, Zb 14) (Locheimer Liederbuch), number 73 (intabulation);
Bologna: Civico Museo Bibliografico Musicale, Ms Q 15 (new fragment);
Florence: Biblioteca Riccardiana 1764, fol. 86 (text);
Lucca: Archivio di Stato 184 (Mancini Codex), fol. 54 (2/2);
Munich: Bayerische Staatsbibliothek, Handschriften-Inkunabelabteilung 352b (olim Mus. 3725) (Buxheimer Orgelbuch), number 38,137,138,139 (intabulation);
Padua: Biblioteca Universitaria 656, fol. 1 (2 Tenor fragments);
Paris: Bibliothèque Nationale, fonds italien 568, fol. 52v-53 (2/2); Bibliothèque Nationale, fonds italien 1069, fol. 45 (text); Bibliothèque Nationale, fonds nouv. acq. français 4379, number 3, 62v (Tenor only);
Treviso: Biblioteca Comunale 43, fol. 6v (text).

Facsimiles

The Lucca Codex. Codice Mancini. Introductory Study and Facsimile Edition, edited by John N das and Agostino Ziino, Lucca: Libreria musicale italiana editrice, 1990.

Editions

1. CLERCX, Suzanne. Johannes Ciconia: Un musicien liègois et son temps, 2 vols., Brussels: Palais des Acadèmies, 1960, Vol. II, p. 63.
2. NEMETH, George L. The Secular Music of Johannes Ciconia, Ph.D. dissertation, Stanford University: 1977, p. 201 (Pn568).
3. Anthology of Medieval Music, edited by Richard H. Hoppin, New York: W. W. Norton, 1978, no. 70.
4. WILLIAMS, Carol J. The Mancini Codex: A Manuscript Study, Ph.D. dissertation (University of Adelaide), 3 vols., 1983, Vol. II, p. 41.
5. The Works of Johannes Ciconia, edited by Margaret Bent and Anne Hallmark, Monaco: Editions de L'Oiseau-Lyre, 1985. Polyphonic Music of the Fourteenth Century XXIV, p. 130.
6. The Lucca Codex. Codice Mancini. Introductory Study and Facsimile Edition, edited by John N das and Agostino Ziino, Lucca: Libreria musicale italiana editrice, 1990, p. 105.

Literature

1. MANCINI, Augusto. 'Frammenti di un nuovo codice dell' Ars nova', Rendiconti dell' Accademia Nazionale dei Lincei, ser. 8, II (1947), p. 89.
2. BONACCORSI, Alfredo. 'Un nuovo codice dell' Ars nova: Il codice Lucchese', Atti della Accademia Nazionale dei Lincei, Ser. 8, I/12 (1948), pp. 585-586.
3. PIRROTTA, Nino and Ettore LI GOTTI. 'Il Codice di Lucca. III. Il repertorio musicale', Musica Disciplina, V (1951), p. 124., pp. 123-124.
4. PIRROTTA, Nino and Ettore LI GOTTI. 'Paolo Tenorista, fiorentino "extra moenia"', Estudios Dedicados a Menèndez Pidal III, Madrid: S. Aguirre, 1952, p. 585.
5. CLERCX, Suzanne. 'Johannes Ciconia et la chronologie des manuscrits italiens, Mod. 568 et Lucca (Mn)', Les Colloques de Wègimont II, 1955, Paris: Sociètè d'Edition "Les belles lettres", 1959, p. 119.
6. FISCHER, Kurt von. 'Zur Ciconia-Forschung', Die Musikforschung, XIV (1961), p. 317.
7. GÜNTHER, Ursula. 'Die "anonymen" Kompositionen des Ms. Paris BN, fonds ital, 568 (Pit)', Archiv für Musikwissenschaft, XXIII (1966), pp. 90-91.
8. FALLOWS, David. 'Ciconia padre e figlio', Rivista italiana di musicologia, XI (1976), p. 175.
9. CLERCX-LEJEUNE, Suzanne. 'Ancora su Johannes Ciconia (c. 1335-1411)', Nuova Rivista Musicale Italiana, XI (1977), p. 588.
10. HOPPIN, Richard H. Medieval Music, New York: W. W. Norton, 1978, p. 495.

Recordings

1. Johannes Ciconia. Madrigaux et Ballades, Clemencic Consort, directed by Rene Clemencic (1980): Harmonia Mundi HM 10068.
2. Johannes Ciconia, Las Huelgas Ensemble, directed by Paul van Nevel (1980): Musique en Wallonie 80040-44 (set).