La Trobe University - Library: Medieval Music Database - Annual cycle of feasts of liturgical chant, liturgical polyphony and secular music of the late middle ages.

Gloria, spiritus et alme

by Johannes Ciconia

Sources

Oxford: Bodleian Library, MS Canonici Miscellaneous 213, fol. 101v-102 (3/2) (alternates 3/2 and 2/2).

Editions

1. Polyphonia Sacra: A Continental Miscellany of the Fifteenth Century, edited by Charles van den Borren, Nashdom Abbey, Burnham, Buckinghamshire and London: Plainsong and Mediaeval Music Society, 1932, p. 82.
2. CLERCX, Suzanne. Johannes Ciconia: Un musicien liègois et son temps, 2 vols., Brussels: Palais des Acadèmies, 1960, Vol. II, p. 113.
3. The Works of Johannes Ciconia, edited by Margaret Bent and Anne Hallmark, Monaco: Editions de L'Oiseau-Lyre, 1985. Polyphonic Music of the Fourteenth Century XXIV, p. 25.

Literature

1. KORTE, W. Studien zur Geschichte der Musik in Italien im ersten Viertel des 15. Jahrhunderts, Kassel: Bärenreiter, 1933. Münsterische Beiträge zur Musikwissenschaft VI, pp. 46-47, 49.
2. ELLINWOOD, Leonard. 'The Fourteenth Century in Italy', [chapter 2 of] The New Oxford History of Music. III. Ars Nova and the Renaissance, edited by Dom Anselm Hughes and Gerald Abraham, London: Oxford University Press, 1960, pp. 73-74.
3. GÜNTHER, Ursula. 'Sinnbezüge zwischen Text und Musik in Ars nova und Ars subtilior', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 229-268.

Recordings

Johannes Ciconia, Las Huelgas Ensemble, directed by Paul van Nevel (1980): Musique en Wallonie 80040-44 (set).